<p>"Hindustani and classical singing styles are very different," said Nandhu Radhakrishnan, professor of communication science and disorders at the School of Health Professions in the University of Missouri.<br /><br />"In Hindustani singing, performers use 'Taan' to modulate pitch voluntarily, while classical singers use vibrato to vary pitch involuntarily. With this knowledge, we may be able to develop a specific therapy to cure laryngeal tremors," he said.<br /><br />In a statement, the university said Radhakrishnan is the first researcher to study the physiology of Hindustani singing. He worked with Ronald Scherer of Bowling Green State University in Ohio, and Santanu Bandyopadhyay, a vocal teacher in West Bengal.<br />In his study, was published recently in the Journal of Voice, Radhakrishnan discovered several differences between Hindustani and classical singing.<br />Primarily, Hindustani singing features a voluntary, rapid dip in pitch, which Radhakrishnan refers to as a "Taan gesture."<br /><br />In contrast, classical singers use a vocal modulation like vibrato to make a smooth transition between pitches.<br />Classical singers use what is known as a singer's formant to enhance a specific range of frequency that will be pleasing to the ear by lowering their larynx and widening the vocal tract.<br /><br />However, Hindustani singers do not use a singer's formant.<br />Without this, Hindustani singers perform at a much lower volume than classical singers, and their singing voice sounds very similar to their speaking voice.<br />Radhakrishnan also observed that Hindustani singing requires precise pronunciation of lyrics, whereas notes guide pronunciation in classical music.<br />To uncover the secrets of Hindustani singing, Radhakrishnan recorded a traditional Indian singing teacher repeatedly performing a single Taan gesture.<br /><br />Although singers usually perform several of these pitch fluctuations in succession, Radhakrishnan recorded just one gesture to isolate the technique for scientific study.<br />Radhakrishnan used equipment that measures variables like lung pressure, the duration that vocal folds are open and closed, and the rate at which air is flowing out of the larynx.</p>
<p>"Hindustani and classical singing styles are very different," said Nandhu Radhakrishnan, professor of communication science and disorders at the School of Health Professions in the University of Missouri.<br /><br />"In Hindustani singing, performers use 'Taan' to modulate pitch voluntarily, while classical singers use vibrato to vary pitch involuntarily. With this knowledge, we may be able to develop a specific therapy to cure laryngeal tremors," he said.<br /><br />In a statement, the university said Radhakrishnan is the first researcher to study the physiology of Hindustani singing. He worked with Ronald Scherer of Bowling Green State University in Ohio, and Santanu Bandyopadhyay, a vocal teacher in West Bengal.<br />In his study, was published recently in the Journal of Voice, Radhakrishnan discovered several differences between Hindustani and classical singing.<br />Primarily, Hindustani singing features a voluntary, rapid dip in pitch, which Radhakrishnan refers to as a "Taan gesture."<br /><br />In contrast, classical singers use a vocal modulation like vibrato to make a smooth transition between pitches.<br />Classical singers use what is known as a singer's formant to enhance a specific range of frequency that will be pleasing to the ear by lowering their larynx and widening the vocal tract.<br /><br />However, Hindustani singers do not use a singer's formant.<br />Without this, Hindustani singers perform at a much lower volume than classical singers, and their singing voice sounds very similar to their speaking voice.<br />Radhakrishnan also observed that Hindustani singing requires precise pronunciation of lyrics, whereas notes guide pronunciation in classical music.<br />To uncover the secrets of Hindustani singing, Radhakrishnan recorded a traditional Indian singing teacher repeatedly performing a single Taan gesture.<br /><br />Although singers usually perform several of these pitch fluctuations in succession, Radhakrishnan recorded just one gesture to isolate the technique for scientific study.<br />Radhakrishnan used equipment that measures variables like lung pressure, the duration that vocal folds are open and closed, and the rate at which air is flowing out of the larynx.</p>