<p>Noted director Manish Gupta, who has helmed films such as <em>Stoneman Murders</em> and <i>Hostel, </i>says that the OTT revolution is a gamechanger for the film industry as it gives storytellers the freedom to explore a variety of subjects without worrying about the commercial aspects.<br /><br />"<em>OTT ne toh pura game badal diya ha</em>i (OTT changed the whole game of the film making and business). The whole process has become simpler. We have more freedom and that insecurity is gone, " he told <em>DH</em>.<br /><br />OTT emerged as a powerful medium for storytelling in India in 2018 when <em>Sacred Games </em>premiered on Netflix, garnering attention with its bold and violent content. <em>Mirzapur</em>--a hard-hitting series set in the Hindi heartland-- <em>The Family Man</em> and the sports-based thriller <em>Inside Edge</em> too proved to be 'digital blockbusters'. It was, however, the Covid-19 lockdown in 2020 that established OTT as an alternative to cinemas.</p>.<p>Big-ticket movies such as<em> Gulabo Sitabo </em>and <em>Laxmii </em>opted for a direct-to-digital release, skipping the theatrical route, The digital medium continued its dominance in 2021 as biggies such as <em>Radhe</em> and <em>Jai Bhim</em>, a gritty courtroom drama with socio-political undertones, premiered on OTT. The rise of streaming platforms also made it possible for relatively smaller films such as <em>Darbaan </em>and <em>Chintu Ka Birthday</em> to find an audience. Gupta's latest movie <em>420 IPC</em>, which was shot on a limited budget, continued this trend when it premiered on a streaming platform last month, receiving fair patronage.<br /><br />The courtroom drama featured Vinay Pathak in the role of an ordinary Chartered Accountant, who is accused of fraud. And, it also reunited him with his<em> Bheja Fry</em> co-star Ranvir Shorey.<br /><br />"Working with them was a jovial experience as they are jovial individuals," said Gupta.<br /><br /><em>420 IPC</em> received praise for its performances but a section of the audience felt that Gul Panag, who played Pathak's wife, didn't get enough scope in the narrative. Gupta, however, wasn't too affected by this observation.<br /><br />"This was always supposed to be a supporting character. People, however, may have had more expectations as she is a known name," said the <em>Rahasya </em>helmer.<br /><br />It remains to be seen whether the favourable response to <em>420 IPC</em> encourages Gupta to work on more direct-to-OTT releases in the days to come.</p>
<p>Noted director Manish Gupta, who has helmed films such as <em>Stoneman Murders</em> and <i>Hostel, </i>says that the OTT revolution is a gamechanger for the film industry as it gives storytellers the freedom to explore a variety of subjects without worrying about the commercial aspects.<br /><br />"<em>OTT ne toh pura game badal diya ha</em>i (OTT changed the whole game of the film making and business). The whole process has become simpler. We have more freedom and that insecurity is gone, " he told <em>DH</em>.<br /><br />OTT emerged as a powerful medium for storytelling in India in 2018 when <em>Sacred Games </em>premiered on Netflix, garnering attention with its bold and violent content. <em>Mirzapur</em>--a hard-hitting series set in the Hindi heartland-- <em>The Family Man</em> and the sports-based thriller <em>Inside Edge</em> too proved to be 'digital blockbusters'. It was, however, the Covid-19 lockdown in 2020 that established OTT as an alternative to cinemas.</p>.<p>Big-ticket movies such as<em> Gulabo Sitabo </em>and <em>Laxmii </em>opted for a direct-to-digital release, skipping the theatrical route, The digital medium continued its dominance in 2021 as biggies such as <em>Radhe</em> and <em>Jai Bhim</em>, a gritty courtroom drama with socio-political undertones, premiered on OTT. The rise of streaming platforms also made it possible for relatively smaller films such as <em>Darbaan </em>and <em>Chintu Ka Birthday</em> to find an audience. Gupta's latest movie <em>420 IPC</em>, which was shot on a limited budget, continued this trend when it premiered on a streaming platform last month, receiving fair patronage.<br /><br />The courtroom drama featured Vinay Pathak in the role of an ordinary Chartered Accountant, who is accused of fraud. And, it also reunited him with his<em> Bheja Fry</em> co-star Ranvir Shorey.<br /><br />"Working with them was a jovial experience as they are jovial individuals," said Gupta.<br /><br /><em>420 IPC</em> received praise for its performances but a section of the audience felt that Gul Panag, who played Pathak's wife, didn't get enough scope in the narrative. Gupta, however, wasn't too affected by this observation.<br /><br />"This was always supposed to be a supporting character. People, however, may have had more expectations as she is a known name," said the <em>Rahasya </em>helmer.<br /><br />It remains to be seen whether the favourable response to <em>420 IPC</em> encourages Gupta to work on more direct-to-OTT releases in the days to come.</p>