<p>In the trailer of ‘Radhe’, Salman Khan <span class="italic">says,</span> “<span class="italic"><em>Ek baar maine commitment kar di, toh phir main khud ki bhi nahi sunta</em></span>,” (Once I decide something, I don’t even listen to myself). The dialogue was immortalised by Salman himself in the Prabhu Deva-directorial ‘Wanted’ (remake of Telugu’s ‘Pokiri’), in 2009.</p>.<p>Many have slammed the duo for repeating a popular dialogue in the film, set to release on May 13 (in theatres and on ZeePlex). But then, creative dearth is a standout feature in Salman Khan’s films in recent times. His films lean on tested ideas and patterns.</p>.<p>Content-wise, can we expect anything different from 'Radhe'? Going by its promotional videos, the answer is a resounding no. </p>.<p>In ‘Dabbang 3’, the actor is introduced in an action sequence. Salman is seen dancing and jogging as he avoids bullets from the villains. Outrageously bad action choreography is a common feature in his films.</p>.<p>‘Dabbang’ felt fresh, thanks to the immensely likeable eccentric cop Chulbul Pandey. The rural flavour, hilarious wordplay, and blockbuster songs did justice to the masala-film template. The sequels, which had weak conflicts, can’t hold a candle to the original. </p>.<p>The stories of Salman films are silly. ‘Race 3’ has a plethora of characters and plenty of subplots. None of them register in our mind. The film doesn’t have the tension needed in a thriller.</p>.<p>Jingoistic sentiment is overused in his films, as seen in ‘Bharat’ and ‘Tiger Zinda Hai’. While the former was a decent-watch despite the flaws, the latter reflected the paucity of plots for Salman. ‘Ek Tha Tiger’ was a racy thriller, with interesting characters and engaging drama. The sequel was a poorly executed one-man show.</p>.<p>Critics have given him a raw deal of late. This hasn’t stopped his flicks from entering the 100-crore club. “My films are critic-proof. My fans will watch my films anyway,” he had once said.</p>.<p>As long as his fans enjoy his ridiculous and over-the-top bravado on screen, the forgettable party songs (featuring Jacqueline Fernandez or Disha Patani) and the irritating comic dialogues, the neutral audience’s wait for a unique Salman star vehicle will continue.</p>.<p>‘Sultan’ and ‘Bajrangi Bhaijan’ showed Salman in different avatars. They were well-written films that gave him ample room to perform. The recent ones were plain lazy attempts. </p>
<p>In the trailer of ‘Radhe’, Salman Khan <span class="italic">says,</span> “<span class="italic"><em>Ek baar maine commitment kar di, toh phir main khud ki bhi nahi sunta</em></span>,” (Once I decide something, I don’t even listen to myself). The dialogue was immortalised by Salman himself in the Prabhu Deva-directorial ‘Wanted’ (remake of Telugu’s ‘Pokiri’), in 2009.</p>.<p>Many have slammed the duo for repeating a popular dialogue in the film, set to release on May 13 (in theatres and on ZeePlex). But then, creative dearth is a standout feature in Salman Khan’s films in recent times. His films lean on tested ideas and patterns.</p>.<p>Content-wise, can we expect anything different from 'Radhe'? Going by its promotional videos, the answer is a resounding no. </p>.<p>In ‘Dabbang 3’, the actor is introduced in an action sequence. Salman is seen dancing and jogging as he avoids bullets from the villains. Outrageously bad action choreography is a common feature in his films.</p>.<p>‘Dabbang’ felt fresh, thanks to the immensely likeable eccentric cop Chulbul Pandey. The rural flavour, hilarious wordplay, and blockbuster songs did justice to the masala-film template. The sequels, which had weak conflicts, can’t hold a candle to the original. </p>.<p>The stories of Salman films are silly. ‘Race 3’ has a plethora of characters and plenty of subplots. None of them register in our mind. The film doesn’t have the tension needed in a thriller.</p>.<p>Jingoistic sentiment is overused in his films, as seen in ‘Bharat’ and ‘Tiger Zinda Hai’. While the former was a decent-watch despite the flaws, the latter reflected the paucity of plots for Salman. ‘Ek Tha Tiger’ was a racy thriller, with interesting characters and engaging drama. The sequel was a poorly executed one-man show.</p>.<p>Critics have given him a raw deal of late. This hasn’t stopped his flicks from entering the 100-crore club. “My films are critic-proof. My fans will watch my films anyway,” he had once said.</p>.<p>As long as his fans enjoy his ridiculous and over-the-top bravado on screen, the forgettable party songs (featuring Jacqueline Fernandez or Disha Patani) and the irritating comic dialogues, the neutral audience’s wait for a unique Salman star vehicle will continue.</p>.<p>‘Sultan’ and ‘Bajrangi Bhaijan’ showed Salman in different avatars. They were well-written films that gave him ample room to perform. The recent ones were plain lazy attempts. </p>