<p><strong>Rating: One star (out of five)</strong></p>.<p>Kannada (U/A)</p>.<p>Cast: Chikkanna, Sruthi Hariharan, Bullet Prakash, Tabla Nani, Honnavalli Krishna, Prashanth Siddi, Rockline Sudhakar, Girija Lokesh</p>.<p>Director: Nagaraj Peenya</p>.<p>Trying to cash in on yesteryear's iconic film <span class="italic"><em>Bhootayyana Maga Ayyu</em></span> is director Nagaraj Peenya with Bhootayyana Mommaga Ayyu and what a trash of a film he has dished out on unsuspecting audiences in the garb of entertainment.</p>.<p>Peenya's film is an insult to the earlier film. <span class="italic"><em>Bhootayyanna Maga Ayyu</em></span>, directed by Siddalingaiah based on Gorur Ramaswamy Iyengar's short story, had not only broken box office records but is remembered for several other singular achievements.</p>.<p>Peenya, who has filled his film with pitiful comedians, wants to make his audiences laugh but the antics are simply asinine.</p>.<p>Leading this set of comedians is Chikkanna, with Rockline Sudhakar and Honnavalli Krishna, who completes 1000 films with Mommaga.</p>.<p>It is baffling that the sensible and versatile Shruthi Hariharan had agreed to such a film, where she has to play a very distasteful role.</p>.<p>The film, which is loud, ludicrous, chaotic and cacophonic, is about Ayyu, who is on the hunt for a docile and domestic bride along with his uncle, played by Tabla Nani.</p>.<p>In one of the plotlines, Ayyu has gone on as many as 99 searches looking for a bride, and when he meets Shruthi, the audience is led to wonder if 100 would be his lucky number.</p>.<p>Another track involves the mistaken death of the village usurer, Machine Muniyappa. The comedy of errors from these intertwining lines provides the meat for the film.</p>.<p>Full of double meaning phrases and suggestive dialogues, the film caters to the audience's basest instinct. And if that's what you're looking for in a film, you will get your money's worth!</p>.<p>As for a discerning audience, Mommaga is nothing but an assault on sensibilites.</p>.<p><span class="bold"><strong>S Viswanath</strong></span></p>
<p><strong>Rating: One star (out of five)</strong></p>.<p>Kannada (U/A)</p>.<p>Cast: Chikkanna, Sruthi Hariharan, Bullet Prakash, Tabla Nani, Honnavalli Krishna, Prashanth Siddi, Rockline Sudhakar, Girija Lokesh</p>.<p>Director: Nagaraj Peenya</p>.<p>Trying to cash in on yesteryear's iconic film <span class="italic"><em>Bhootayyana Maga Ayyu</em></span> is director Nagaraj Peenya with Bhootayyana Mommaga Ayyu and what a trash of a film he has dished out on unsuspecting audiences in the garb of entertainment.</p>.<p>Peenya's film is an insult to the earlier film. <span class="italic"><em>Bhootayyanna Maga Ayyu</em></span>, directed by Siddalingaiah based on Gorur Ramaswamy Iyengar's short story, had not only broken box office records but is remembered for several other singular achievements.</p>.<p>Peenya, who has filled his film with pitiful comedians, wants to make his audiences laugh but the antics are simply asinine.</p>.<p>Leading this set of comedians is Chikkanna, with Rockline Sudhakar and Honnavalli Krishna, who completes 1000 films with Mommaga.</p>.<p>It is baffling that the sensible and versatile Shruthi Hariharan had agreed to such a film, where she has to play a very distasteful role.</p>.<p>The film, which is loud, ludicrous, chaotic and cacophonic, is about Ayyu, who is on the hunt for a docile and domestic bride along with his uncle, played by Tabla Nani.</p>.<p>In one of the plotlines, Ayyu has gone on as many as 99 searches looking for a bride, and when he meets Shruthi, the audience is led to wonder if 100 would be his lucky number.</p>.<p>Another track involves the mistaken death of the village usurer, Machine Muniyappa. The comedy of errors from these intertwining lines provides the meat for the film.</p>.<p>Full of double meaning phrases and suggestive dialogues, the film caters to the audience's basest instinct. And if that's what you're looking for in a film, you will get your money's worth!</p>.<p>As for a discerning audience, Mommaga is nothing but an assault on sensibilites.</p>.<p><span class="bold"><strong>S Viswanath</strong></span></p>