<p>In a striking departure from norm, a cow is under the spotlight in a 93-minute observational documentary in the Premiere line-up of the 74th Cannes Film Festival.</p>.<p>Titled <em>Cow</em>, the film, which views the world through the eyes of its bovine protagonist, is directed by Oscar-winning English filmmaker Andrea Arnold.</p>.<p>The film was in the making for seven years. The editing, according to the filmmaker, was a three-year start-and-stop process because she kept working on other projects.</p>.<p>The British auteur is a three-time winner of the Cannes Jury Prize. The films that earned her the prizes are<em> Red Road </em>(2006), <em>Fish Tank </em>(2009) and<em> American Honey </em>(2016). Her Academy Award win was for the 2005 short film <em>Wasp</em>.</p>.<p><em>Cow </em>is Arnold’s first-ever non-fiction film. It focuses on a single cow on a farm and follows its life cycle, watching it in a detached yet empathetic manner as it does its primary job – producing milk and calves – when she is not out to pasture.</p>.<p>About the essence of the documentary, Arnold says: “This is the story of a reality, that of a dairy cow, and a tribute to the immense service she renders us. When I look at Luma, our cow, I see the whole world through her.”</p>.<p>Addressing the media after the premiere of <em>Cow</em>, the director who has helmed several episodes of the Amazon Prime series <em>Transparent </em>and the entire second season of the HBO show <em>Big Little Lies</em>, said: “We usually see cows as a herd. I wanted to see a cow as an individual.”</p>.<p>When the idea first took shape, she had to write a pitch for the film. “It is a hard film to explain. (The writing of the introduction) took me back to my relationship with nature as a child. That is where it started. I grew up on an estate surrounded by wilderness and I used to roam around a lot.”</p>.<p><em>Cow</em>, she said, is an attempt to dispel the romanticised notion of nature that the world has. “I wondered what is the reality,” Arnold added. “It is a reaction to the disconnection from reality that we are all facing now.”</p>.<p>“We are sort of frightened of reality. I wanted to get in there and see what it is actually like,” she said. “The idea is to get people to engage with a non-human consciousness.”</p>.<p>Explaining why she chose to hold the film back for a Cannes premiere, she said: "I love it here. It is a fantastic place to have your film screened for the first time. And it is great moving from lockdowns to this. I am so happy to be inside a cinema hall again.</p>
<p>In a striking departure from norm, a cow is under the spotlight in a 93-minute observational documentary in the Premiere line-up of the 74th Cannes Film Festival.</p>.<p>Titled <em>Cow</em>, the film, which views the world through the eyes of its bovine protagonist, is directed by Oscar-winning English filmmaker Andrea Arnold.</p>.<p>The film was in the making for seven years. The editing, according to the filmmaker, was a three-year start-and-stop process because she kept working on other projects.</p>.<p>The British auteur is a three-time winner of the Cannes Jury Prize. The films that earned her the prizes are<em> Red Road </em>(2006), <em>Fish Tank </em>(2009) and<em> American Honey </em>(2016). Her Academy Award win was for the 2005 short film <em>Wasp</em>.</p>.<p><em>Cow </em>is Arnold’s first-ever non-fiction film. It focuses on a single cow on a farm and follows its life cycle, watching it in a detached yet empathetic manner as it does its primary job – producing milk and calves – when she is not out to pasture.</p>.<p>About the essence of the documentary, Arnold says: “This is the story of a reality, that of a dairy cow, and a tribute to the immense service she renders us. When I look at Luma, our cow, I see the whole world through her.”</p>.<p>Addressing the media after the premiere of <em>Cow</em>, the director who has helmed several episodes of the Amazon Prime series <em>Transparent </em>and the entire second season of the HBO show <em>Big Little Lies</em>, said: “We usually see cows as a herd. I wanted to see a cow as an individual.”</p>.<p>When the idea first took shape, she had to write a pitch for the film. “It is a hard film to explain. (The writing of the introduction) took me back to my relationship with nature as a child. That is where it started. I grew up on an estate surrounded by wilderness and I used to roam around a lot.”</p>.<p><em>Cow</em>, she said, is an attempt to dispel the romanticised notion of nature that the world has. “I wondered what is the reality,” Arnold added. “It is a reaction to the disconnection from reality that we are all facing now.”</p>.<p>“We are sort of frightened of reality. I wanted to get in there and see what it is actually like,” she said. “The idea is to get people to engage with a non-human consciousness.”</p>.<p>Explaining why she chose to hold the film back for a Cannes premiere, she said: "I love it here. It is a fantastic place to have your film screened for the first time. And it is great moving from lockdowns to this. I am so happy to be inside a cinema hall again.</p>