<p>After a decade’s hiatus, director Sanjotha Bhandari returns with her sophomore feature <em>Langoti Man</em> — aka Lankapura Govindachar Theertha Kumar’s ‘briefscapades’.</p>.<p>Having debuted with the risqué comedy <em>Mirchi Mandaki Kadak Chai</em>, Sanjotha attempts another signature sizzler with <em>Langoti Man</em> whose eponymous title hints at where the wacky film’s entertainment quotient lies.</p>.<p>The dramedy pits the traditional ‘kaupina’ against the modern jockstrap. The director seeks to make a scientific case for the sanctified ‘langoti’.</p>.<p>Theertha Kumar is born into an orthodox purohit family. He is caught between his tradition-bound grandfather’s ‘langoti’ mandate and his overarching desire to don the branded ‘undies’. His trials and tribulations will have audiences in splits.</p>.<p>Sanjotha laces <em>Langoti Man</em> with the bawdiest of dialogues, to ensure audiences are invested.</p>.<p>As if that wasn’t enough, the film takes a thriller turn with our butt-stuck lovelorn beau, who falls for the richly endowed Nabha. She is the daughter of an SI, who has unwittingly framed him with rape and kidnap charges.</p>.<p>Woefully, in sewing all possible genres into her convoluted and confounding <em>Langoti Man</em>, Sanjotha turns her film into a rather tiring watch.</p>.<p>A subtle, nuanced, and tauter screenplay would have served better to drive home the theme of self-sustainability, minimalist living and respect for tradition. </p>.<p>By the interval, you have had enough of the insufferable Theertha Kumar. From his didactic grandpa trying to drum sense into his head about the merits of the “two-bit white cotton putkosi” to his romance with Nabha and his loony childhood friends who are bullies. </p>.<p>Like its protagonist, nothing goes right for this frivolous and flippant film, which offers nothing more than mindless mirth.</p>
<p>After a decade’s hiatus, director Sanjotha Bhandari returns with her sophomore feature <em>Langoti Man</em> — aka Lankapura Govindachar Theertha Kumar’s ‘briefscapades’.</p>.<p>Having debuted with the risqué comedy <em>Mirchi Mandaki Kadak Chai</em>, Sanjotha attempts another signature sizzler with <em>Langoti Man</em> whose eponymous title hints at where the wacky film’s entertainment quotient lies.</p>.<p>The dramedy pits the traditional ‘kaupina’ against the modern jockstrap. The director seeks to make a scientific case for the sanctified ‘langoti’.</p>.<p>Theertha Kumar is born into an orthodox purohit family. He is caught between his tradition-bound grandfather’s ‘langoti’ mandate and his overarching desire to don the branded ‘undies’. His trials and tribulations will have audiences in splits.</p>.<p>Sanjotha laces <em>Langoti Man</em> with the bawdiest of dialogues, to ensure audiences are invested.</p>.<p>As if that wasn’t enough, the film takes a thriller turn with our butt-stuck lovelorn beau, who falls for the richly endowed Nabha. She is the daughter of an SI, who has unwittingly framed him with rape and kidnap charges.</p>.<p>Woefully, in sewing all possible genres into her convoluted and confounding <em>Langoti Man</em>, Sanjotha turns her film into a rather tiring watch.</p>.<p>A subtle, nuanced, and tauter screenplay would have served better to drive home the theme of self-sustainability, minimalist living and respect for tradition. </p>.<p>By the interval, you have had enough of the insufferable Theertha Kumar. From his didactic grandpa trying to drum sense into his head about the merits of the “two-bit white cotton putkosi” to his romance with Nabha and his loony childhood friends who are bullies. </p>.<p>Like its protagonist, nothing goes right for this frivolous and flippant film, which offers nothing more than mindless mirth.</p>