‘Martin’ movie review: Action-packed thriller let down by misplaced priorities

The latest trend of pan-India and franchise films prioritising spectacle over substance continues with Dhruva Sarja's Martin. Written by his uncle and actor Arjun Sarja and directed by A P Arjun, the film joins a long list of underwhelming attempts.

The director weaves a complex narrative around three key characters — Lt Brigadier Arjun Saxena, an Indian revenue officer, Martin, an international gangster and Mushtaq, weapons trafficker, exploring themes of patriotism, illegal pharmaceuticals, and weapons trafficking.

Mushtaq's containers, carrying expired drugs and weapons, are seized by Arjun Saxena. He appeals to Martin for assistance, leading to a face-off between the two.

The doppelganger twist adds complexity as Martin and Arjun bear an uncanny resemblance. Action-packed confrontations ensue as Arjun pursues Martin and Mushtaq. What is the fate of all three? The director uses incessant action sequences to seal the trio’s fate.

High-octane action sequences, hand-to-hand combat, explosions, and chase sequences keep the audience engaged. But ‘Martin’ miserably fails to live up to the hype it created. The flick suffers from overemphasis on action and visual effects, neglecting storytelling and character development.

Despite its promising take off, the film falls short of expectations due to the director’s misplaced priorities. The non-linear style of narration adds unnecessary complexity to a straightforward story. Without any comedy, the 147-minute film is an unrelenting, serious watch.

Ravi Basrur and Mani Sharma overemphasise loud and pulsating beats, preferring noise for background score and music.

Subpar graphics distort visual experience and detract from overall impact.

Inmates in Pakistan prison speak Kannada! Martin uses certain French words though the situation doesn't require it. There are many such inconsistencies defying logic.

Talented actors like Chikkanna, Achyut Kumar, Vaibhavi Shandilya and Anveshi Jain deserved better-written roles and screen-time.

Dhruva Sarja's talent deserved a more substantial narrative. He is effective in dual roles, as Arjun and Martin. He excels in action stunts, highlighting his physical prowess. Martin’s role bears resemblance to Kanwar Lal's character in Antha (1981).

Martin is strictly for die-hard action fans.