<p>The Cannes Film Festival returns from May 16 to 27, bringing a huge number of stars and celebrated filmmakers to France's Cote d'Azur.</p>.<p>Here is a list of the 21 films competing for the top prize Palme d'Or, as well as a selection of other movies premiering out of competition.</p>.<p>- <em>Asteroid City</em> by Wes Anderson</p>.<p>The king of quirky, Anderson divides audiences and almost never wins awards, but is loved by actors. His latest -- about American space cadets -- stars Tom Hanks, Margot Robbie, Scarlett Johansson and Edward Norton, to name but a few.</p>.<p>- <em>The Zone of Interest</em> by Jonathan Glazer</p>.<p>Based on a book by Martin Amis about a romance in the Auschwitz concentration camp, the long-awaited return of this British director (<em>Under the Skin</em>, <em>Sexy Beast</em>) has arthouse fans salivating.</p>.<p>- <em>May December</em> by Todd Haynes</p>.<p>Haynes wowed Cannes with lesbian drama <em>Carol</em> in 2015 starring Cate Blanchett and Rooney Mara. His latest pairs two more big-hitters, Julianne Moore and Natalie Portman, for the story of an actress meeting the couple at the heart of a tabloid scandal.</p>.<p>- <em>Monster</em> by Hirokazu Kore-eda</p>.<p>Japan's Kore-eda won the Palme for his touching family drama <em>Shoplifters</em> in 2018. <em>Monster</em> unfolds multiple viewpoints, <em>Rashomon</em>-style, to explain a child's disturbing behaviour.</p>.<p>- <em>The Old Oak</em> by Ken Loach</p>.<p>The 86-year-old Brit is one of cinema's most politically engaged directors, and has won the Palme twice, for Irish civil war drama <em>The Wind That Shakes the Barley</em> in 2006 and <em>I, Daniel Blake</em> 10 years later. Possibly his final film, this focuses on Syrian refugees in Britain.</p>.<p>- <em>Firebrand</em> by Karim Ainouz</p>.<p>Jude Law and Alicia Vikander star as English king Henry VIII and his sixth wife Catherine Parr in a period drama from Brazilian director Karim Ainouz.</p>.<p>- <em>Black Flies</em> by Jean-Stephane Sauvaire</p>.<p>A young paramedic (Tye Sheridan) learns the ropes from a grizzled New York veteran (Sean Penn). There is much interest in the supporting role for Mike Tyson.</p>.<p>- <em>Homecoming</em> by Catherine Corsini</p>.<p>Dogged by controversy over an underage sex scene, this got a delayed competition slot. It follows an African family returning to Corsica years after a tragedy on the French island.</p>.<p>- <em>Perfect Days</em> by Wim Wenders</p>.<p>Wenders made two of the most iconic 1980s films in <em>Paris, Texas</em> and <em>Wings of Desire</em>, winning the Palme and best director at Cannes. Since then, his features have gained less attention than his documentaries such as <em>Buena Vista Social Club</em>. His new, Japan-set film charts a toilet cleaner's unexpected past.</p>.<p>- <em>About Dry Grasses</em> by Nuri Bilge Ceylan</p>.<p>The Turkish filmmaker's meditative tales require patience but have scooped up many prizes in Cannes, including the 2014 Palme for <em>Winter Sleep</em>. His new film follows a frustrated teacher in a remote village.</p>.<p>- <em>Fallen Leaves</em> by Aki Kaurismaki</p>.<p>The Finnish director, now on his 19th film, is a fixture of the arthouse circuit, known for darkly funny looks at marginalised groups. This is billed as a gentle tragicomedy about two lonely hearts at a Helsinki nightclub.</p>.<p>- <em>A Brighter Tomorrow</em> by Nanni Moretti</p>.<p>Moretti is another past winner (for <em>The Son's Room</em> in 2001). Here he stars as a 1950s director.</p>.<p>- <em>Club Zero</em> by Jessica Hausner</p>.<p>The Austrian directs Mia Wasikowska as a teacher in an elite school who forms a dangerous bond with students engaged in protesting the climate crisis.</p>.<p>- <em>Four Daughters</em> by Kaouther Ben Hania</p>.<p>The Tunisian director received an Oscar nomination for <em>The Man Who Sold his Skin</em>. Her follow-up mixes documentary and fiction in the story of a woman whose daughters disappear suddenly.</p>.<p>- <em>Anatomy of a Fall</em> by Justine Triet</p>.<p>A thriller about a woman with a blind son suspected of her husband's murder.</p>.<p>- <em>La Chimera</em> by Alice Rohrwacher</p>.<p>Isabella Rosellini stars in the story of a group of archaeologists working in the black market for historical artefacts.</p>.<p>- <em>Shanghai Youth</em> by Wang Bing</p>.<p>A rare documentary in the competition, it follows the lives of China's migrant workers.</p>.<p>- <em>Banel et Adama</em> by Ramata-Toulaye Sy</p>.<p>The debut feature from the French-Senegalese director looks at the difficulties of young love in a Senegalese village.</p>.<p>- <em>Rapito</em> by Marco Bellocchio</p>.<p>The 83-year-old Italian cineaste returns with the true story of a Jewish boy taken from his family to be raised as a Catholic by Pope Pius IX.</p>.<p>- <em>The Pot au Feu</em> by Tran Anh Hung</p>.<p>The Vietnamese-French director adapts a classic 1920s French novel about fictional foodie Dodin Bouffant.</p>.<p>- <em>Last Summer</em> by Catherine Breillat</p>.<p>Known for her sexually transgressive films, Breillat has remade critically-acclaimed 2019 Danish film <em>Queen of Hearts</em> about a woman's affair with her stepson.</p>.<p>These films are also being premiered, but are not competing for the Palme d'Or:</p>.<p>- <em>Indiana Jones and the Dial of Destiny</em> by James Mangold</p>.<p>- <em>Killers of the Flower Moon</em> by Martin Scorsese</p>.<p>- <em>Occupied City</em> by Steve McQueen</p>.<p>- <em>The Idol</em> by Sam Levinson</p>.<p>- <em>Cobweb</em> by Kim Jee-woon</p>.<p>- <em>Kennedy</em> by Anurag Kashyap</p>.<p>- <em>Kubi</em> by Takeshi Kitano</p>.<p>- <em>Anselm</em> by Wim Wenders</p>
<p>The Cannes Film Festival returns from May 16 to 27, bringing a huge number of stars and celebrated filmmakers to France's Cote d'Azur.</p>.<p>Here is a list of the 21 films competing for the top prize Palme d'Or, as well as a selection of other movies premiering out of competition.</p>.<p>- <em>Asteroid City</em> by Wes Anderson</p>.<p>The king of quirky, Anderson divides audiences and almost never wins awards, but is loved by actors. His latest -- about American space cadets -- stars Tom Hanks, Margot Robbie, Scarlett Johansson and Edward Norton, to name but a few.</p>.<p>- <em>The Zone of Interest</em> by Jonathan Glazer</p>.<p>Based on a book by Martin Amis about a romance in the Auschwitz concentration camp, the long-awaited return of this British director (<em>Under the Skin</em>, <em>Sexy Beast</em>) has arthouse fans salivating.</p>.<p>- <em>May December</em> by Todd Haynes</p>.<p>Haynes wowed Cannes with lesbian drama <em>Carol</em> in 2015 starring Cate Blanchett and Rooney Mara. His latest pairs two more big-hitters, Julianne Moore and Natalie Portman, for the story of an actress meeting the couple at the heart of a tabloid scandal.</p>.<p>- <em>Monster</em> by Hirokazu Kore-eda</p>.<p>Japan's Kore-eda won the Palme for his touching family drama <em>Shoplifters</em> in 2018. <em>Monster</em> unfolds multiple viewpoints, <em>Rashomon</em>-style, to explain a child's disturbing behaviour.</p>.<p>- <em>The Old Oak</em> by Ken Loach</p>.<p>The 86-year-old Brit is one of cinema's most politically engaged directors, and has won the Palme twice, for Irish civil war drama <em>The Wind That Shakes the Barley</em> in 2006 and <em>I, Daniel Blake</em> 10 years later. Possibly his final film, this focuses on Syrian refugees in Britain.</p>.<p>- <em>Firebrand</em> by Karim Ainouz</p>.<p>Jude Law and Alicia Vikander star as English king Henry VIII and his sixth wife Catherine Parr in a period drama from Brazilian director Karim Ainouz.</p>.<p>- <em>Black Flies</em> by Jean-Stephane Sauvaire</p>.<p>A young paramedic (Tye Sheridan) learns the ropes from a grizzled New York veteran (Sean Penn). There is much interest in the supporting role for Mike Tyson.</p>.<p>- <em>Homecoming</em> by Catherine Corsini</p>.<p>Dogged by controversy over an underage sex scene, this got a delayed competition slot. It follows an African family returning to Corsica years after a tragedy on the French island.</p>.<p>- <em>Perfect Days</em> by Wim Wenders</p>.<p>Wenders made two of the most iconic 1980s films in <em>Paris, Texas</em> and <em>Wings of Desire</em>, winning the Palme and best director at Cannes. Since then, his features have gained less attention than his documentaries such as <em>Buena Vista Social Club</em>. His new, Japan-set film charts a toilet cleaner's unexpected past.</p>.<p>- <em>About Dry Grasses</em> by Nuri Bilge Ceylan</p>.<p>The Turkish filmmaker's meditative tales require patience but have scooped up many prizes in Cannes, including the 2014 Palme for <em>Winter Sleep</em>. His new film follows a frustrated teacher in a remote village.</p>.<p>- <em>Fallen Leaves</em> by Aki Kaurismaki</p>.<p>The Finnish director, now on his 19th film, is a fixture of the arthouse circuit, known for darkly funny looks at marginalised groups. This is billed as a gentle tragicomedy about two lonely hearts at a Helsinki nightclub.</p>.<p>- <em>A Brighter Tomorrow</em> by Nanni Moretti</p>.<p>Moretti is another past winner (for <em>The Son's Room</em> in 2001). Here he stars as a 1950s director.</p>.<p>- <em>Club Zero</em> by Jessica Hausner</p>.<p>The Austrian directs Mia Wasikowska as a teacher in an elite school who forms a dangerous bond with students engaged in protesting the climate crisis.</p>.<p>- <em>Four Daughters</em> by Kaouther Ben Hania</p>.<p>The Tunisian director received an Oscar nomination for <em>The Man Who Sold his Skin</em>. Her follow-up mixes documentary and fiction in the story of a woman whose daughters disappear suddenly.</p>.<p>- <em>Anatomy of a Fall</em> by Justine Triet</p>.<p>A thriller about a woman with a blind son suspected of her husband's murder.</p>.<p>- <em>La Chimera</em> by Alice Rohrwacher</p>.<p>Isabella Rosellini stars in the story of a group of archaeologists working in the black market for historical artefacts.</p>.<p>- <em>Shanghai Youth</em> by Wang Bing</p>.<p>A rare documentary in the competition, it follows the lives of China's migrant workers.</p>.<p>- <em>Banel et Adama</em> by Ramata-Toulaye Sy</p>.<p>The debut feature from the French-Senegalese director looks at the difficulties of young love in a Senegalese village.</p>.<p>- <em>Rapito</em> by Marco Bellocchio</p>.<p>The 83-year-old Italian cineaste returns with the true story of a Jewish boy taken from his family to be raised as a Catholic by Pope Pius IX.</p>.<p>- <em>The Pot au Feu</em> by Tran Anh Hung</p>.<p>The Vietnamese-French director adapts a classic 1920s French novel about fictional foodie Dodin Bouffant.</p>.<p>- <em>Last Summer</em> by Catherine Breillat</p>.<p>Known for her sexually transgressive films, Breillat has remade critically-acclaimed 2019 Danish film <em>Queen of Hearts</em> about a woman's affair with her stepson.</p>.<p>These films are also being premiered, but are not competing for the Palme d'Or:</p>.<p>- <em>Indiana Jones and the Dial of Destiny</em> by James Mangold</p>.<p>- <em>Killers of the Flower Moon</em> by Martin Scorsese</p>.<p>- <em>Occupied City</em> by Steve McQueen</p>.<p>- <em>The Idol</em> by Sam Levinson</p>.<p>- <em>Cobweb</em> by Kim Jee-woon</p>.<p>- <em>Kennedy</em> by Anurag Kashyap</p>.<p>- <em>Kubi</em> by Takeshi Kitano</p>.<p>- <em>Anselm</em> by Wim Wenders</p>