<p><strong>Cast:</strong> Sanjay Kapoor, Shweta Tripathi and Dibyendu Bhattacharya</p>.<p><strong>Platform:</strong> Voot Select</p>.<p><strong>Rating:</strong> 4/5</p>.<p><em>The Gone Game</em> is a compelling thriller that makes a solid impact. The series, shot ‘remotely’ during the lockdown, revolves around what happens when a young man ‘dies’ after exhibiting Covid-19 symptoms. The basic premise is quite intriguing and relatable. Its impact is enhanced by the deft screenplay.</p>.<p>The Covid-19 angle has been incorporated quite well in the narrative and does not come across as a ‘gimmick’. The writers have done a good job of adding depth to most of the characters and this goes a long way in keeping fans hooked. As the show was shot ‘at home’ and not on a set, there no combination scenes featuring the key characters. This, however, does not act as a hindrance as the makers have done a splendid job of highlighting the dynamics at play.</p>.<p><em>The Gone Game</em> features several well-executed twists that the viewer asking for more. The big revelation in the final episode packs a punch, setting the stage for the second season.</p>.<p>Coming to performances, Sanjay Kapoor is the heart and soul of <em>The Gone Game </em>and exceeds expectations. His intensity in the ‘dramatic’ sequences might take a section of the audience by surprise.</p>.<p>Shweta Tripathi (also known as Shweta Tripathi Sharma) hits the right notes with her sincere performance. The Mirzapur actress does a good job of highlighting the trauma faced by her character.</p>.<p>Dibyendu Bhattacharya is top-notch and does full justice to his character. His performance is comparable to the one delivered in <em>Criminal Justice</em> even though he gets limited screentime this time around. The supporting cast, featuring names such as Arjun Mathur and Shriya Pilgaonkar, makes a fair impact.</p>.<p>The series has a neat look and feel, despite being shot with limited resources. The background music is outstanding and adds a new dimension to the reel action. Editing is up to the mark as <em>The Gone Game</em> does not drag. The technical aspects have been handled competently.</p>
<p><strong>Cast:</strong> Sanjay Kapoor, Shweta Tripathi and Dibyendu Bhattacharya</p>.<p><strong>Platform:</strong> Voot Select</p>.<p><strong>Rating:</strong> 4/5</p>.<p><em>The Gone Game</em> is a compelling thriller that makes a solid impact. The series, shot ‘remotely’ during the lockdown, revolves around what happens when a young man ‘dies’ after exhibiting Covid-19 symptoms. The basic premise is quite intriguing and relatable. Its impact is enhanced by the deft screenplay.</p>.<p>The Covid-19 angle has been incorporated quite well in the narrative and does not come across as a ‘gimmick’. The writers have done a good job of adding depth to most of the characters and this goes a long way in keeping fans hooked. As the show was shot ‘at home’ and not on a set, there no combination scenes featuring the key characters. This, however, does not act as a hindrance as the makers have done a splendid job of highlighting the dynamics at play.</p>.<p><em>The Gone Game</em> features several well-executed twists that the viewer asking for more. The big revelation in the final episode packs a punch, setting the stage for the second season.</p>.<p>Coming to performances, Sanjay Kapoor is the heart and soul of <em>The Gone Game </em>and exceeds expectations. His intensity in the ‘dramatic’ sequences might take a section of the audience by surprise.</p>.<p>Shweta Tripathi (also known as Shweta Tripathi Sharma) hits the right notes with her sincere performance. The Mirzapur actress does a good job of highlighting the trauma faced by her character.</p>.<p>Dibyendu Bhattacharya is top-notch and does full justice to his character. His performance is comparable to the one delivered in <em>Criminal Justice</em> even though he gets limited screentime this time around. The supporting cast, featuring names such as Arjun Mathur and Shriya Pilgaonkar, makes a fair impact.</p>.<p>The series has a neat look and feel, despite being shot with limited resources. The background music is outstanding and adds a new dimension to the reel action. Editing is up to the mark as <em>The Gone Game</em> does not drag. The technical aspects have been handled competently.</p>